Dionne Warwick called me out by name in asserting she’d play Tel Aviv. Here’s what she misunderstands
inger and U.N. global ambassador Dionne Warwick recently released an interesting if puzzling statement asserting that she would, and I quote, “never fall victim to the hard pressures of Roger Waters, from Pink Floyd, or other political people who have their views on politics in Israel.”
“Waters’ political views are of no concern,” I assume she means to her, the statement read. “Art,” she added, “has no boundaries.”
Until today, I have not publicly commented on Ms. Warwick’s Tel Aviv concert or reached out to her privately. But given her implicit invitation, I will comment now.
First, in my view, Dionne Warwick is a truly great singer. Secondly, I doubt not that she is deeply committed to her family and her fans.
But, ultimately, this whole conversation is not about her, her gig in Tel Aviv, or even her conception of boundaries and art, though I will touch on that conception later. This is about human rights and, more specifically, this is about the dystopia that can develop, as it has in Israel, when society lacks basic belief in equal human value, when it strays from the ability to feel empathy for our brothers and sisters of different faiths, nationalities, creeds or colors.
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